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Leo Fitzmauruce: Grigorovich’s Nutcracker (Touring), flyers reformed by Leo Fitzmaurice, 2010
“...most top firms will have a significant art collection but few have gone as far as Collyer Bristow, which operates its own well-equipt gallery from the ground floor of its offices. With professional curatorial services provided by the Day+Gluckman partnership, there is a regular series of exhibitions that have a very strong following among the firm’s clients.“
Edward Fennell, the Times, August 2010 |
“Day & Gluckman’s work at Collyer Bristow has demonstrated their ability to cut a dash in producing shows both dramatic and different; shows which speak to contemporary art’s audiences and place the gallery on the map, critically and culturally.“
John Timberlake, Artist and Course Leader, BA Fine Art, Middlesex University
“I was impressed by the visual and conceptual coherence, along with the overall professional calibre of Borderland.”
Dr Rona Lee, Artist
“I think what you have achieved at Collyer Bristow has been of real importance. Both you and Collyer Bristow are to be commended for showing regular tightly curated, exciting and diverse exhibitions, and long may it continue.“
Richard Ducker, Artist
“Line Journeys” ….. appears to include some delicate works of refreshing innocence. It’s a good deed in a naughty world.”
Edward Fennell, writing for In the City, The Times, February 2010.
“There is obviously a deep commitment [at Collyer Bristow] to supporting Contemporary art whether it be through the support of the curators who are allowed an admirably free rein or of the artists exhibited. The work shown is often challenging and stands up in quality to much work I see in professional galleries whether publicly funded or commercial.”
Matt Hale, Art Monthly
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